| 2025, 1 |
Elena V. Uryson |
Perfective and imperfective verbs in contexts of multiplicity: Towards explicating the semantics of Russian aspectual values |
78-94 |
| 2019, 3 |
Anna Yu. Urmanchieva |
Narrative strategies as an evidence for language contact: Case study of Taz Selkup and Nganasan |
84-100 |
| 2017, 1 |
Elena V. Paducheva |
On the semantics of Russian aspect in the context of discourse. |
7-23 |
| 2012, 6 |
Elena E. Razlogova |
“The queen of spades” in the mirror of its French translations. |
66-92 |
| 2011, 3 |
Elena V. Paducheva |
Egocentric valencies and deconstruction of the speaker. |
3-18 |
| 2004, 3 |
O.N. Krasavina |
The use of the demonstrative group in Russian narrative discourse |
51-68 |
| 1999, 5 |
I.B. Shatunovskii |
[Review of:] E.V. Paducheva. Semanticheskie issledovaniya (Semantika vremeni i vida v russkom yazyke; Semantika narrativa) [Semantic studies (Semantics of tense and aspect in Russian; Semantics of the narrative)] |
130-138 |
| 1996, 4 |
Pavel V. Petrukhin |
Narrative strategy and the use of verbal tenses in Russian chronicles of the XVII century |
62-84 |
| 1995, 6 |
Nadezhda K. Onipenko |
[Review of:] I.A. Kozhevnikova. Types of narration in the Russian literature of the 19th–20th centuries |
127-129 |
| 1995, 3 |
E.A. Ivančikova |
F.M. Dostoevsky’s “Raw Youth”: The lyrical narration |
70-76 |
